Tag: TPT

Linoleum Relief Printmaking Basics + Colored Pencils

Printmaking is such an interesting and historic art making process. My students especially love it because they have the ability to make multiple prints of one image. They often refer to the linoleum block in relief printmaking as a “stamp,” which I have an irrational hatred for. Somehow calling it a  “stamp” lowers the artistic value for me. Or maybe I am just annoyed because they aren’t using their art vocabulary. Regardless, I always try to incorporate printmaking into at least one of my art classes, and relief printmaking is typically the way I go.

For this particular assignment I use linoleum blocks and a number of printmaking specific tools. However, there are a number of ways to incorporate the same basic concepts without the expense of the tools. One option for a simpler version of this is using natural materials you can easily find around your house to create designs to print with. Check out my supply list and how to for this portrait based relief printmaking project below.


An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

SUPPLIES:

  • Computer and printer to edit image and print it
  • Pencil
  • Graphite paper
  • Linoleum block
  • Linocutters and/or other carving tools.
  • Brayer
  • Baren (a wooden spoon also works very well)
  • Printmaking ink
  • Newsprint (for proofs)
  • White paper and rulers, to create registrations
  • Printmaking paper
  • Colored pencils (Prisma colored pencils are my number one choice)
  • Erasers
  • Black paper to mount and display the finished works of art

HOW TO

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

For the first step you need to select your image. For this particular assignment, my students focus on a portrait. I always encourage them to select someone they know personally. I have found that if my students can develop a personal connection to the assignment they become more committed to the end product. It is also a great way for students to express themselves individually within the constraints of a general topic.

Once you select the image, you must simplify it. For this assignment, my students are creating prints with a single color, so they must simplify their image to just black and white. Not all images work well when converted to only black and white, so it is helpful to try editing at least three different options and select the most successful one.

For this step I use Photoshop. I open the image, select “Image-Mode-Grayscale.” Next, you select “Image-Adjustments-Posterize” and set the number to 2. This leaves just black and white in the image. With printmaking, you are creating a mirror image of the original design. Therefore, it’s helpful for students to flip their images before printing (to do this go to “Image-Image Rotation-Flip Canvas Horizontal”). This is especially true when dealing with portraits. It’s shocking how different a person can look when you create a mirror image of them. Next, size the image to the linoleum block. These were smaller, so I sized my image to 4″x4″ then printed a few copies out. SIDE NOTE: I have done 4″x4″ prints in the past, which saves money on linoleum, but with the colored pencil addition at the end, it is much more successful with a larger size such as 6″x6″ or 8″x8″

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

After your picture is printed and ready to go, you need to re-draw it on the linoleum block or transfer the image to the block. Because this is an introduction to printmaking I prefer to have students transfer the images. This frees up a lot of time for them to focus on the printmaking process. To do this, place graphite paper between the linoleum block and the printed image. Trace over the lines. TIP: tape the top of the image to the linoleum block. That way you can lift the image and make sure you didn’t miss anything without accidentally moving it.  TIP x2: Fill in the areas you want to keep un-carved with pencil, leave the areas you want to carve blank.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

At this point you are finally ready to start carving. Start with larger areas and make your way down to the small details. Switch out the linocutter blades as necessary. ALWAYS cut away from your body and hands. It’s very tempting to cut towards your hand, but these suckers are sharp and it’s very easy to gouge yourself. As I tell my students, “please don’t make me fill out an incident report today.”

With this lesson you can either print onto a sheet of paper, without worrying about the placement and trim the edges later, or you can create a register to help you line up pre-cut paper and center your print in the printing process. I prefer the later because it also introduces a measuring and precision element to the assignment, which covers a different skillset and pushes them to think a different way during the assignment.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

Once your image is fully carved out, it’s time to ink and print! I like to work directly on my tabletop for this, although a flat piece of tile would work well and be easier to clean. Place a small spoonful of ink onto your surface, and roll it out using the brayer until you have an even application on the roller. Roll the ink onto the linoleum block, make sure you cover the entire block and have even application. You may notice ink catching areas that aren’t carved low enough. This is why your first few prints are printed on newsprint. It’s cheap paper you can test your prints on until you have the carving just right.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

If using a register, place your block in the center and line your paper up with the outer lines. Use a baren (or a wooden spoon) to burnish the back of the paper. Press down and move in small circles hitting every section of the block. Carefully peel the paper off and admire your print!

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

With the first few prints you are looking for changes that need to be made. I had many areas where I didn’t carve low enough and the ink kept catching small lines in the background. Go back, carve those areas down, and start the process over. Once you are satisfied with your print, start printing on printmaking paper.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

It will take a few tries to get the correct ink application. Keep printing until you get at least five quality prints. Make sure you aren’t going too light (a fuzzy, uneven look) or too heavy (small lines in your image are filled in with ink).

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

To add another element (and a little color) to the print, I decided to add a colored pencil aspect. Since this project specifically focuses on portraits, I decided it was a great opportunity to include a lesson on creating skin tone with colored pencils. The students select one of their five prints to add color to. For my portrait I needed a lighter skin tone and used the following Prima colored pencils colors:

  • White
  • Cream
  • Beige
  • Light Peach
  • Peach
  • Rosy Beige
  • Lilac
  • Light Umber
  • Chocoloate
  • Sienna Brown
  • Tuscan Red

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

When using colored pencils it’s very important to work in light layers. If too much pigment is put down at once, it creates a waxy layer. The waxiness prevents additional color from sticking and you will end up with a much flatter looking image. It’s important to get layers of various colors to create more depth in your image.

When I work with colored pencils I add in a few highlights to start blocking out the color, then move to the darks and work dark to light from there. With something soft, like skin, it’s best to color in small circles to mimic the softness.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

In addition to adding skin tone, I also decided to add a pop of blue in the background. It gave me a way to define edges at the top of the image to create more of a frame and blue reminds me of my grandmother who *unknowingly* became the subject of this lesson. She is a wonderful 94 year old woman who has an iPad and regularly texts on her iPhone (with text special effects I didn’t even know existed) and made me mac n’ cheese and animal shaped pancakes as a child. It doesn’t get much better than that in the realm of grandmothers.

Want to discover more art lessons? This relief printmaking post is part of an art education specific blog hop. My lesson connects to Karen Phillip’s lesson on printmaking with natural materials by making stamps out of potatoes and dying fabric with cabbage, onion skins, and blackberries. Check out Stacey Peter’s lesson next, which connects through mixed media. Her students create mixed media collages that focus on their hometowns, and has a literary tie in. Don’t miss anyone in the loop (or any of the amazing lessons) the list of art teacher’s involved in the blog hop is below:

Thanks for taking the time to check out my blog. Help me spread the word about making art education personal and getting kids creating by sharing on your social network of choice. Also, if you are interested in purchasing this relief printmaking lesson plan, PowerPoints, handouts, and other materials I use for this lesson, check it out on my TPT store here. Thanks for stopping by!

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

Semester High School Drawing Curriculum: 12 Lessons in 18 Weeks

In my teaching career I have taught a wide range of art courses: Introduction to Art, Drawing, Painting, Advanced 2D Design, AP Art, 3D Design, 3D Design II, and 3D Design III. I have loved teaching such a variety because it has given me the opportunity to develop and test a breadth of lesson plans. The past two years I have been working on compiling my favorite lessons into curriculum packs to sell on my Teachers Pay Teachers store. My most recent posting on my store is my semester long drawing curriculum pack. I have taught every single one of these lessons (plus more that I tested, failed, and left out so you don’t have to) and these are my top twelve.

This drawing curriculum includes information and resources to fill every single day of the semester in your drawing class. Other than making copies of worksheets and doing a handful of demos, you don’t have to plan a thing for the semester. Each project includes a detailed lesson plan (including big ideas, essential questions, national standards, vocabulary, and step by step instructions), rubrics, critique information, and handouts. In addition to the project packs I have included my syllabus, get to know you worksheets, a timeline, breaking down the semester into days and weeks, and supply list.

Check out information on the individual projects below:

The first project of the semester is learning the Belgian bookbinding technique and using it to create your own sketchbook. This not only saves money on purchasing sketchbooks, but it also introduces the students to book cover design and bookbinding techniques. In addition to a PowerPoint, lesson plan, and rubric, this also includes a how to worksheet and how to video. This product is sold individually here.

In every class I teach I include a weekly focus on visual journals. Each Friday students have the option to work in their visual journal, have free art time, or catch up on an assignment. By the end of the semester they must have at least 12 pages completed in their book. The PowerPoint to introduce this project, lesson plan, and rubric are included in this pack.

Before the students start longer drawing projects, they complete a shading review. Seven worksheets are included that cover graphite pencils, hatching, cross hatching, scribbling, stippling, and a general shading worksheet. The front of the worksheets include information and the students must complete the activities on the back. This product can be purchased individually here.

The first true drawing assignment is a still life drawing. However, I put a twist on it by requiring the students to bring in objects to create the still life. Before starting the drawing, the students learn about still lifes at various periods in art history. at both traditional and modern versions of still lifes. They must apply their understanding of various shading techniques by including at least three of them in their drawing. Check out the individual link for this product here.

Once the class has a few drawing projects under their belt, we look at combining technology and art by creating their own GIFs. They must draw the majority of the design, then use various computer programs to compile their drawings, add to them, then create an animated version of them. You can read more about this project in my blog post here.

Once the students have a handle on using pencils, we move onto charcoal drawings. One of the best ways I have found to teach how to shade using charcoal is through the traditional charcoal drapery drawing lesson. A PowerPoint about charcoal, in depth lesson plan, rubric, and critique are included. You can purchase this lesson individually here.

After learning about charcoal, the students apply their knowledge to a mixed media work of art that includes shading with charcoal. For this assignment, the students must select an object and redraw it on a background layered with color and text. The object is meant to serve as a metaphor for who they are, a part of their personality, or interests. I love any cross disciplinary lessons, and this does a great job combining English and art. Check out specifics of this project here.

After completing a metaphorical self portrait, the students are asked to create an actual self portrait drawing, with a twist. The students must select a current event that interests them and reflect it through their portrait. In addition, they have to scan their faces using a copier or scanner to create an unusual and ethereal look to their portrait. They then re-draw their scanned image using pencil. This project pack includes multiple PowerPoints to introduce the project and show examples of current artists who create social and politically driven artwork. In addition to the PowerPoints are an in depth lesson plan, rubric, critique sheet, and brainstorm worksheet. Check out more here.

After working mostly in black and white, students have the chance to do a full color drawing using colored pencils. They are asked to think outside of the box and take a photograph that reflects the topic, “unexpected beauty.” They then turn the photograph into a colored pencil drawing. Colored pencil techniques are covered in the introduction PowerPoint. Check out more information about it here.

After learning about colored pencils, we start moving towards different media that still use traditional drawing techniques, such as scratchboard. Social media is the focus of the lesson and students are asked to create a scratchboard image that reflects a snapshot of their day. History about scratchboard, as well as techniques, are included in the PowerPoint. Detailed instructions on how to teach the lesson are included in the lesson plan, as well as the rubric and critique sheet. This lesson can be purchased individually here.

Printmaking is a natural next step after learning about scratchboard. The basic concepts are similar, removing highlighted areas and leaving dark areas. For this assignment, students create a portrait out of a linoleum block. They use traditional relief printmaking techniques to create at least 5 quality prints and one print must be colored in using colored pencils. In addition to a PowerPoint, lesson plan, rubric, and critique sheet, this also includes a handout on which colors to use to create a range of skin tones and a worksheet to test various color combinations. An in-depth look at this lesson will be coming soon. In the meantime, check out the product listing here.

The final lesson in the curriculum is design your own project. The students can try out a technique or material they didn’t get a chance to or redo a project they liked or could improve on.

It took me years to develop this curriculum and it is very gratifying to see it all compiled in one place. Check out the individual product links above or check out the entire curriculum here. You save $16.00 by purchasing it as a bundle pack. Thanks for taking the time to check out my blog and my latest TPT product. Help me spread the word about art education, lessons, and art in general by sharing with others. Thanks for stopping by!

Combining Drawing and Technology into GIFs

Over the summer, one of my goals for my Teachers Pay Teachers store was to add an animated element to the quote section at the top of my site. It was years before I realized other, much fancier, TPT sellers had this element, and mine was a simple gray box with a quote. When you go into the TPT edit mode, the only option is to add a quote, there are no color, font, or image change options. Despite this, somehow someone found a work around. When I finally realized I could do this, and a tutorial existed to teach me how, I tried to make it a top priority.

With the craziness that is life, it still took me months to finally get around to it. The task was a bit daunting, I had never made a GIF before, and I didn’t know where to start. When I finally got around to reading through the tutorial (check out two great resources here and here) I realized how simple it was. I began brainstorming ideas, and quickly settled on emphasizing the little bee that has become a part of my brand.

I drew out the bee, scanned it in, and uploaded it to Photoshop. Using Photoshop, I added each sequence, and saved it as a PNG file. Once I had all the PNG files ready, I uploaded them to a GIF maker and downloaded my compiled GIF. While it took me awhile to figure out the best way to save my files, and it took three times to edit, re-upload, find an error, and edit again, the process was actually fairly easy.

It was extremely satisfying to add it to my TPT store, hit that refresh button, and see my page come to life. I was so impressed with the process, I decided to make GIF headers for my class pages as well.

First, I created one for my painting class. I wanted it to reflect the main purpose of the course, so I used a pencil, paintbrush, palette, and paint to illustrate the header. Again, I used Photoshop to compile my drawings then move the individual pieces. Between each movement, a new file was saved. This GIF had over 40 files that had to be compiled to create the final GIF.

Once I completed my painting header, I created my Advanced 2D Design header. This one took the most drawing prep and the most files, 60 PNG files were compiled for this one, and it honestly could’ve used more to create smoother transitions. Because we cover so many different types of art in this class, I wanted to make sure it was properly represented in the header, and I couldn’t bring myself to save anymore PNG files. So the quick drawing pencil and painting brush are here to stay for awhile.

The process of creating a GIF was so satisfying that it inspired a project. I plan to incorporate this assignment into my drawing class. After focusing on drawing techniques and basics, this assignment gives students a week of breathing space. They get to create whatever they want and transform it into a GIF. It’s a perfect way to bring technology and art together to create something that many students are very familiar with.

This lesson plan is available on my Teachers Pay Teachers site here. It includes a PowerPoint to introduce the assignment, a detailed lesson plan with step by step teacher instructions, a supply list, big ideas, a rubric, and national standards. It also has a PowerPoint with detailed instructions on how to compile images into a GIF, with a handout for students to reference once they start. At the end of all my lessons I try to make time for a class critique of the project. This lesson plan pack also includes my critique worksheet and a fun addition to the critique process with emoji signs.

Thanks for taking the time to check out my fancy new GIFs and my GIF drawing lesson plan. Help me spread the word about art education and art in general by sharing this post with others. Thanks for stopping by!

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Teachers Pay Teachers: Semester Long Painting Curriculum and Yearlong Advanced Art Curriculum

I have been posting a lot about Teachers Pay Teachers lately, but lately TPT has been my life. For another summer in a row, I have spent all summer planning, typing, and compiling lesson plans, PowerPoints, worksheets, and resources into new TPT products. Last year, my August and September earnings funded a ten day trip that took my hubs and I to Munich, Berlin, and Amsterdam. This year, my August earnings have more than doubled, and my hard earned money is being put into our front yard landscaping, replacing molding around windows, and repairing our roof. Although these are less fun items than a European vacation, they are all in preparation for our next bundle of joy, baby girl Panetta, due November 27th. These things have all been possible because I decided to start putting a few of my lesson plans on a teaching website.


One major goal I have for myself is to create an entire high school art (adaptable to middle school art) curriculum. This would include yearlong and semester long curriculums for Introduction to Art, Painting, Drawing, Advanced 2D Design, Introduction to Sculpture and Ceramics, Sculpture and Ceramics II, Advanced 3D Design, and Advanced Placement Art. Last summer, I compiled my yearlong and semester long lessons for Introduction to Art. It has been my biggest seller the last year. This summer I was able to compile my semester long painting curriculum and my advanced 2D art (which is also adaptable for AP Art breadth) curriculums. They are both doing well, and I am getting a lot of great feedback. I am halfway through my Introduction to Sculpture and Ceramics curriculum, and can’t wait to tie everything up in a nice bow and get it posted to my Teachers Pay Teachers store. I hope by this time next year my high school art curriculum will be complete, and I will be onto my next TPT task.

My painting curriculum includes:

-Semester long timeline
-Supply list
-Syllabus
-Get to Know you handout
-10 student handouts
-1 teacher aid handouts
-2 technology tie activities
-9 lesson plans
-12 PowerPoints
-6 rubrics
-5 grading checklists
-5 critique sheets

The lessons cover the three main types of paint: watercolor, acrylic, and oil (oil can be substituted for art teachers on a budget), as well as mixed media with the visual journal project I incorporate in every class.

With this curriculum students create a sketchbook, full of painting techniques, testers, and reference material, as well as 5 take home level paintings, and a visual journal book. With every curriculum bundle I include a timeline, so you know what to teach when and how long it will take, as well as a supply list.

My Advanced 2D Design art curriculum includes:

In all this art unit includes:
-Course Syllabus
-Tell Me About You worksheet
-Yearlong timeline
-Supply list for all 14 projects
-2017 August-December calendar for AP breadth adaption
-14 completed projects
-10 Lesson plans
-9 PowerPoints
-4 handouts
-2 printable posters
-9 sketchbook handouts
-8 critique sheets
-10 project rubrics

This class is a full year course and is the last art class before students take Advanced Placement (AP) Art. It helps prepare them for the rigor of AP and they create work that is AP quality they can use in their portfolio. They create artwork using a range of materials: pencil, charcoal, watercolor, acrylic paint, oil paint, and mixed media, and participate in many group discussion and critiques. This curriculum also includes a timeline to adapt this to a semester long course, to fulfill the AP Art breadth section of the portfolio. I also have a printable 2017-2018 calendar as a resources for AP Art students.

I am really proud of all the work I have put into my TPT store, and even more proud when my work literally pays off. I you haven’t yet, check out all the amazing things TPT sellers have to offer! Support a fellow educator and get so many great resources for your classroom.

Thanks for taking the time to check out my blog! Help me spread the word about art, TPT, crafting, and all things creating on your preferred social media site. Thanks for stopping by!

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Elements of Art Worksheet Pack + TPT Sale

For the last three years, my best seller on my Teachers Pay Teachers website has been my hand drawn elements of art worksheet pack. I spent the summer of 2014 drawing out my elements of art, principles of design, and visual journal how to worksheets. I carefully drew them in pencil, spell checked, had my husband spell check, and finally traced over everything in sharpie. Next, everything was scanned in, edited, and uploaded to my store. Hours went into that product, but it has certainly paid off.

I have gotten a lot of great feedback and constructive criticism on my product. The biggest issue that has come up over the years is the legibility of my sheets. For the most part, they are fairly clear, but there are a few spots where text is squeezed in. In addition, students these days are more used to reading text off a screen than handwriting on a sheet of paper.

While I enjoy the handmade aspect of these products, I decided it was time to bring them up to the modern era. Over Christmas break I began digitally redesigning all of my element of art worksheets. This task proved more difficult than I expected. I not only wanted to give it a more legible look, but I also wanted to maintain a modern feel, and provide new information. For example, if my customers wanted to review the elements of art in their painting class, they could get an entire new set of worksheets to use in their classroom. I thought this would be fairly easy, but there is only so many ways you can explain value.

Once again hours were spent creating these new products, and finally, last night I uploaded the compilation pack of the seven worksheets. I love the new look and I am proud of the fact that the information was presented in a new way. A lot of the same things are covered, but with different explanations, examples, and applications. 

Like my original set, this pack includes the elements of art: color, line, shape, form, texture, value, and space. Each worksheet includes a color and black and white version of the front, and a back that tests the students’ understanding of the information on the front. These are great activities to get the students thinking about the elements and putting information to practice before final projects.

In addition to finally finished my updated elements of art worksheets, I am participating in the Teachers Pay Teachers end of school year sale. My entire store will be 20% off tomorrow (5/9/17) through Wednesday (5/10/17). That puts this pack at just $8.00.

If you haven’t checked out Teachers Pay Teachers yet, give it a try. There is nothing better than finding great resources for your classroom and supporting your fellow educators at the same time. The majority of my profits from my store go straight to my pocket, TPT only takes a small percentage, making all my time and effort well worth it.

We are almost there, summer is just around the corner.

Thanks for taking the time to check out my blog! Help me spread the word about art education, teachers pay teachers, visual journaling, and crafting in general by sharing with others. Thanks for stopping by.

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