Tag: high school visual art

Visual Journal Page 55: Bedtime Bear

A collage with a dog and sleeping zzzzs, made for my Kody Bear a German Shepard, Husky mix.

When I realized what visual journal page I was blogging about today I was equal parts heart warmed and melancholy. This visual journal page is for my Kody Bear who lived a long 13.5 years, but went on to puppy heaven two and a half years ago.

Kody Bear was sweet, snuggly *at his discretion,* so fluffy, a close talker, pushy, stubborn, and so very smart. His stubborn/intelligent combination caused a great deal of frustration in college. But he eventually settled into the perfect dog.

Loosing a dog as an adult was different than loosing a dog as a child. I was so close to my family dog growing up. He was my baby. But, by the time he headed up the white staircase to puppy heaven I was two years into college and didn’t see much of the end of his life. Kody Bear was different because I was there, I witnessed his last breath, which I am forever grateful for, but it was almost impossible to bare. I am endlessly thankful that he was sick for such a short period of time after living a very healthy 13.5 years before that. I am thankful I opted to drive home from the beach just in case this was it. Because it was and I was there for Nick and him.

But, this post isn’t just about losing Kody in the end, it was about the sweetness I witnessed those last few years. Kody was a wild pup who took a lot of discipline and training to wrangle. But, he eventually found a balance that worked for all involved parties. He loved being outside, sitting near you (but never touching), and was 100% Nick’s dog. I believed he viewed me as a bonus, but not his person.

I can’t blame Kody for that. After all, when I met Nick he and Kody were already a pair, they came as a package deal. At 19, a sophomore in college, he had inherited him from his sister. I think Nick was the only one who could handle his wild spirit. I think Kody realized he had met his match with Nick and he developed great respect and love for him as a result.

And although for 11 years of his life it was all about Nick and Kody, those last couple of years he settled into some routines with me. My favorite was every night when I would go to bed he would follow right behind. It didn’t matter who was still awake, if a party was going on, or if it was 5 pm. My bear was right behind me as we headed up the stairs together.

It’s the little things that make you realize you are bonded with someone. It’s the everyday, repetitive, tiny moments that add up to such beautiful things. The moments that Kody showed me he cared, by supporting decisions for an early bedtime or laying nearby when I was upset or simply warming myself next to the fire, I truly felt connected to him.

Today, I have another bedtime buddy named Harper. She is about 80% as fluffy, 25% of his size, and is just as wild. Despite her high energy, as soon as I hit the steps heading up to bed, she is right behind me. I like to think that she represents a piece of Kody, a piece of me, and a piece of my life right now.

Sweet dreams Kody Bear.

SUPPLIES

  • Visual journal
  • Mod Podge or Elmer’s glue
  • Book pages
  • Bleeding tissue paper
  • Sharpie
  • Packing tape
  • Laser printed image

VISUAL JOURNAL HOW TO

To create this visual journal page I started with a printed image of my bear snuggled up and snoozing. I had come up with the idea of having snoring zzzs floating around him as I began developing this visual journal page. It was easy to opt for a tape transfer, so you could see the layers of zs coming from Kody and spreading to the rest of the pages.

To create a packaging tape transfer you need a laster printed image, you can also use newspaper or inkjet but they aren’t as successful. Tape strips of packaging tape directly on top of the image. Flip the image over and rub the back with something hard, like scissor handles or a wood spoon. The burnishing process helps stick the ink to the packaging tape. Next, run the back of the image under water until the paper starts to raise up and peel away. Rub the paper off of the tape, leaving only the ink stuck to the tape.

The end result of a tape transfer is a semi-transparent image. Any white sections are completely see through and any dark sections are semi-transparent or fully opaque. Next, I set aside the tape transfer and started working on the background.

I first glued down strips of bleeding tissue paper I had set aside in my visual journal stash. In a previous project I had wet sheets of bleeding tissue paper to stain paper with color. I then set aside the used sheets to dry, which can result in tie dye looking tissue paper.

Next, I began writing the letter Z on pieces of ripped out book pages. I cut each one into a square then glued it down to the background. I filled the area I knew the trap transfer would be placed and slowly spread them out as it moved away from Kody. Once I was satisfied with the way the background looked, I glued the transfer of Kody on top.

Last but not least I wrote out my text on book pages, cut it out, and glued it to the right page.

Check out more visual journal pages with tape transfers here, here, here, and here.

CHALLENGE

Create a visual journal page about a loss in your life. Use a tape transfer to help illustrate it.

Interested in learning more about visual journaling or introducing them in your classroom? Get everything you need to teach or learn about visual journals, plus a ton of printable resources (including my tape transfer how to handout) here.

Thanks for taking the time to check out my post to my sweet Bear. Help me spread the word about visual journaling by sharing with others! Don’t forget to subscribe to my blog for updates straight to your inbox or follow me on facebook or instagram. Thanks for stopping by!

Linoleum Relief Printmaking Basics + Colored Pencils

Printmaking is such an interesting and historic art making process. My students especially love it because they have the ability to make multiple prints of one image. They often refer to the linoleum block in relief printmaking as a “stamp,” which I have an irrational hatred for. Somehow calling it a  “stamp” lowers the artistic value for me. Or maybe I am just annoyed because they aren’t using their art vocabulary. Regardless, I always try to incorporate printmaking into at least one of my art classes, and relief printmaking is typically the way I go.

For this particular assignment I use linoleum blocks and a number of printmaking specific tools. However, there are a number of ways to incorporate the same basic concepts without the expense of the tools. One option for a simpler version of this is using natural materials you can easily find around your house to create designs to print with. Check out my supply list and how to for this portrait based relief printmaking project below.


An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

SUPPLIES:

  • Computer and printer to edit image and print it
  • Pencil
  • Graphite paper
  • Linoleum block
  • Linocutters and/or other carving tools.
  • Brayer
  • Baren (a wooden spoon also works very well)
  • Printmaking ink
  • Newsprint (for proofs)
  • White paper and rulers, to create registrations
  • Printmaking paper
  • Colored pencils (Prisma colored pencils are my number one choice)
  • Erasers
  • Black paper to mount and display the finished works of art

HOW TO

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

For the first step you need to select your image. For this particular assignment, my students focus on a portrait. I always encourage them to select someone they know personally. I have found that if my students can develop a personal connection to the assignment they become more committed to the end product. It is also a great way for students to express themselves individually within the constraints of a general topic.

Once you select the image, you must simplify it. For this assignment, my students are creating prints with a single color, so they must simplify their image to just black and white. Not all images work well when converted to only black and white, so it is helpful to try editing at least three different options and select the most successful one.

For this step I use Photoshop. I open the image, select “Image-Mode-Grayscale.” Next, you select “Image-Adjustments-Posterize” and set the number to 2. This leaves just black and white in the image. With printmaking, you are creating a mirror image of the original design. Therefore, it’s helpful for students to flip their images before printing (to do this go to “Image-Image Rotation-Flip Canvas Horizontal”). This is especially true when dealing with portraits. It’s shocking how different a person can look when you create a mirror image of them. Next, size the image to the linoleum block. These were smaller, so I sized my image to 4″x4″ then printed a few copies out. SIDE NOTE: I have done 4″x4″ prints in the past, which saves money on linoleum, but with the colored pencil addition at the end, it is much more successful with a larger size such as 6″x6″ or 8″x8″

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

After your picture is printed and ready to go, you need to re-draw it on the linoleum block or transfer the image to the block. Because this is an introduction to printmaking I prefer to have students transfer the images. This frees up a lot of time for them to focus on the printmaking process. To do this, place graphite paper between the linoleum block and the printed image. Trace over the lines. TIP: tape the top of the image to the linoleum block. That way you can lift the image and make sure you didn’t miss anything without accidentally moving it.  TIP x2: Fill in the areas you want to keep un-carved with pencil, leave the areas you want to carve blank.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

At this point you are finally ready to start carving. Start with larger areas and make your way down to the small details. Switch out the linocutter blades as necessary. ALWAYS cut away from your body and hands. It’s very tempting to cut towards your hand, but these suckers are sharp and it’s very easy to gouge yourself. As I tell my students, “please don’t make me fill out an incident report today.”

With this lesson you can either print onto a sheet of paper, without worrying about the placement and trim the edges later, or you can create a register to help you line up pre-cut paper and center your print in the printing process. I prefer the later because it also introduces a measuring and precision element to the assignment, which covers a different skillset and pushes them to think a different way during the assignment.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

Once your image is fully carved out, it’s time to ink and print! I like to work directly on my tabletop for this, although a flat piece of tile would work well and be easier to clean. Place a small spoonful of ink onto your surface, and roll it out using the brayer until you have an even application on the roller. Roll the ink onto the linoleum block, make sure you cover the entire block and have even application. You may notice ink catching areas that aren’t carved low enough. This is why your first few prints are printed on newsprint. It’s cheap paper you can test your prints on until you have the carving just right.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

If using a register, place your block in the center and line your paper up with the outer lines. Use a baren (or a wooden spoon) to burnish the back of the paper. Press down and move in small circles hitting every section of the block. Carefully peel the paper off and admire your print!

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

With the first few prints you are looking for changes that need to be made. I had many areas where I didn’t carve low enough and the ink kept catching small lines in the background. Go back, carve those areas down, and start the process over. Once you are satisfied with your print, start printing on printmaking paper.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

It will take a few tries to get the correct ink application. Keep printing until you get at least five quality prints. Make sure you aren’t going too light (a fuzzy, uneven look) or too heavy (small lines in your image are filled in with ink).

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

To add another element (and a little color) to the print, I decided to add a colored pencil aspect. Since this project specifically focuses on portraits, I decided it was a great opportunity to include a lesson on creating skin tone with colored pencils. The students select one of their five prints to add color to. For my portrait I needed a lighter skin tone and used the following Prima colored pencils colors:

  • White
  • Cream
  • Beige
  • Light Peach
  • Peach
  • Rosy Beige
  • Lilac
  • Light Umber
  • Chocoloate
  • Sienna Brown
  • Tuscan Red

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

When using colored pencils it’s very important to work in light layers. If too much pigment is put down at once, it creates a waxy layer. The waxiness prevents additional color from sticking and you will end up with a much flatter looking image. It’s important to get layers of various colors to create more depth in your image.

When I work with colored pencils I add in a few highlights to start blocking out the color, then move to the darks and work dark to light from there. With something soft, like skin, it’s best to color in small circles to mimic the softness.

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!

In addition to adding skin tone, I also decided to add a pop of blue in the background. It gave me a way to define edges at the top of the image to create more of a frame and blue reminds me of my grandmother who *unknowingly* became the subject of this lesson. She is a wonderful 94 year old woman who has an iPad and regularly texts on her iPhone (with text special effects I didn’t even know existed) and made me mac n’ cheese and animal shaped pancakes as a child. It doesn’t get much better than that in the realm of grandmothers.

Want to discover more art lessons? This relief printmaking post is part of an art education specific blog hop. My lesson connects to Karen Phillip’s lesson on printmaking with natural materials by making stamps out of potatoes and dying fabric with cabbage, onion skins, and blackberries. Check out Stacey Peter’s lesson next, which connects through mixed media. Her students create mixed media collages that focus on their hometowns, and has a literary tie in. Don’t miss anyone in the loop (or any of the amazing lessons) the list of art teacher’s involved in the blog hop is below:

Thanks for taking the time to check out my blog. Help me spread the word about making art education personal and getting kids creating by sharing on your social network of choice. Also, if you are interested in purchasing this relief printmaking lesson plan, PowerPoints, handouts, and other materials I use for this lesson, check it out on my TPT store here. Thanks for stopping by!

An introduction to relief printmaking that covers the basics of using linoleum to make a portrait print. This assignment is turned into a mixed media project by incorporating Prisma colored pencils to fill in the skin tone of the portrait. This is one post in an art education blog hop. Visit and check out more!