Tag: patchwork

Visual Journal Page 28: The Sound of Trains

Learn the inspiration behind this visual journal page as well as the supplies and steps I took to create it. Learn how to start your own visual journal by reading about mine. This particular post focuses on a memory/sensory tie I experienced with the sound of trains. Read more here.

There is something about the sound of trains.

It first started on trips to visit my grandparents. They lived in a small town, it’s biggest claim to fame being their proximity to another small town, known only for their major, annual golf tournament. They were on the South Carolina side of the Georgia, South Carolina border. A place full of ya’lls and yes ma’ams.

I remember driving down the small town roads, turning onto their street, finding it odd they didn’t live in a traditional neighborhood. Commercial areas transitioned into residences without the signage and dead end streets of the neighborhoods I was so accustomed to. This was reminiscent of a different era, which was reflected in so many ways in their home. From the split level, ranch style house, that lived on a non-neighborhood street, to the objects it held within it’s walls.

This was the house my mother grew up in, and it felt like home.

I remember lying in bed, full of “grandmommy macaroni and cheese,” dreaming about the animal shaped pancakes that would surely be waiting for me the next morning, hearing a train whistle in the background.

I feel asleep to that sound many times as a child and the memory traveled with me into adulthood. The funny thing about memories associated with senses is you often don’t realize they are tied together until you experience it.

At twenty-three it had been years since I spent the night at my grandparents house and I had just bought my own house. My new husband and I moved into our sweet 1940’s Atlanta bungalow our first year of marriage. In the days and weeks that followed, we unpacked and settled in. I distinctly remember slowly drifting off to sleep one night when I suddenly heard the sound of a train.

I was immediately thrust back into my grandparent’s house, sleeping next to my sister, looking out the window of the only slightly second story. My new house didn’t quite feel like home yet, but in that moment it began to.

Eight years later I am still living in my adorable house, listening to train whistles, fully feeling like this is my home. My adult home, with the train whistles of my childhood, with my babies now falling asleep to the same sounds in a different town.

SUPPLIES

  • Visual journal
  • Rubber cement or another type of adhesive
  • Scissors
  • White paper
  • Magazines
  • Watercolors
  • Paintbrushes
  • Water
  • Gesso
  • Pencil

HOW TO

For this visual journal page, I knew I wanted to focus on a train. After searching for an image of a train, I came up empty handed. I couldn’t find the exact angle or size that I wanted and needed to fill the two pages of the book. After brainstorming. I finally decided to paint the train myself using watercolor.

I sketched out the body of the train, referencing images online to plan out the design and colors. Once I had a base sketch, I began filling it in with watercolor. I started light and slowly added in the shadows. If you go too dark too quickly with watercolor it is difficult to add highlights back in. It’s best to work light to dark and plan ahead. Once the paint dried, I cut it out.

Once the train was finished I decided to create a background using magazine images. I liked the contrast between the realistic imagery and painterly train as well as the difference in the shiny texture of the magazine and the matte finish of the paper. I knew I wanted to create a color fade in the background to create a feeling of dusk. As I flipped through magazines I kept my eyes peeled for any large sections of black, dark blue, purple, yellow, and green fields and grass. Anything I thought could work, I ripped out.

Once I had a sizable stack of magazine pages, I began ripping them up. I love the look of collaging with ripped pages. The soft, organic edges create a more interesting pattern than cut edges. I separated the ripped up pieces into piles according to color. Because I wanted it to look like night was pushing out day, I began layering the lightest colors first. As I moved from the middle of my visual journal page up, I overlapped the dark colors over the light colors until I had black at the top of the page. Check out a post that details the process of creating a magazine fade here and here as well as a Youtube video here.

Next, I worked from the middle of the visual journal down. I used fields as the background of the landscape and worked my way forward to grassy patterns. As I glued the foreground down, I kept checking the placement of the train until it was positioned the way I wanted it. I glued the train down, than continued overlapping the grass over the bottom of the train and continued to move towards the bottom of the page.

After the page was finally filled up, I added the steam coming from the train. I decided this was a perfect space to incorporate text in a way that blended with the image. I used gesso and a paintbrush to loosely add the steam, then painted the letters in a similar way so they would blend in with the steam. Once the gesso dried, I used pencil to emphasize the text a little more.

CHALLENGE

Create a visual journal page about a memory/sensory tie you have experienced.

Thanks for taking the time to read about my visual journal and check out my blog. You can find an image of my grandmother in a recent post here. She unknowingly became the subject matter for a printmaking project. Don’t forget to save this project for later by pinning it, or saving it on your social network site of choice. Thanks for stopping by!

Interested in teaching a visual journal lesson in your classroom? Check out my teaching resources here and my magazine fade visual journal handout here.

Learn the inspiration behind this visual journal page as well as the supplies and steps I took to create it. Learn how to start your own visual journal by reading about mine. This particular post focuses on a memory/sensory tie I experienced with the sound of trains. Read more here.

Five Years of Quirky Christmas Cards

Five years of DIY quirky Christmas cards. These Christmas cards are not your typical perfect, smiling family. Instead, they look to make you laugh through the creative ways the entire family (kids, dogs, chickens, and all) are are put together.
FIve years of Christmas cards.

For the past five years I have been making my own Christmas cards to send out to family and friends. I enjoy putting my own spin on the traditional and I didn’t want to fall into the cookie cutter family photo and generic message that I found time and time again while perusing templates online. As the years have passed my cards have become more quirky and silly. Every year I look forward to compiling images into a new card design and every year I make sure to include the entire family, chickens and all.

Handmade Christmas card
A handmade Christmas card

The very first year I sent Christmas cards out was in 2013. Nick and I had been married two and a half years and I decided it was time to start a new Christmas tradition.

My very first card was my most complicated, I made everything by hand then scanned the completed card into the computer before sending it off to be printed. For the base, I collaged old book pages on a 8.5″X11″ sheet of paper. I then printed the words “Merry Christmas” in different fonts onto the collaged paper. Next, I ripped it up and layered it on card stock cut to the size of a postcard. I then printed one of our engagement pictures on a laster printer, and created a Mod Podge transfer of the image. Read the specifics on how to create Mod Podge image transfers here. I wanted the edges of the image to blend into the background, so I matched the color in the picture with colored pencils and scribbled on the edge of the image to blend it out. I then layered ripped up book pages, pieces of the printed image, and discolored paper on the right side of the front to create a space to put text. I did the same on the back of the card to create another space for text. Once the collage was done, I scanned it into the computer. I then used Photoshop to add the words on the front and back.

When my creation was finally complete, I sent them off to a local printer and had them printed out postcard style, with the image on the front and back.

For Christmas 2014, I did more digital editing on the front of the card, while I kept the collaged look on the back. For the back, I once again printed a sheet of paper that had “Merry Christmas” repeated. I glued this to a postcard size base. I then ripped up book pages and off-white paper to create a space for text. Next, I cut out pictures of our two puppies and 4 chickens, a new addition to our household. I glued the cut out images to the back then scanned the image into the computer. Once the image was scanned in, I used Photoshop to add the text.

For the front of the card I used another picture from our engagement photo session. I added the green scribbles using the paintbrush tool in Photoshop. I then scanned in a strip of ripped up book pages with a strip of off-white paper glued on top. I took the image, removed the background, and layered it on top of the green scribbles. I then added the text on top.

Once Christmas 2015 rolled around I decided it was time to move away from the book page collage look and try something new. Both the back and front were completely done using Photoshop.

For the front I simply added text on top of a picture of our newborn son, Cooper. For the back I added text around one edge of our family photograph. I added pictures of our chickens and puppies on the right side, to help balance out the text. For the animal pictures, I used a magnetic lasso to cut them out, then removed the background. If you save a file as a .png, it will keep the background transparent when you add it to another file. It took awhile for me to cut out each animal head, but the end result was worth the time.

Once the images were complete, I send them off to my local printer. I did have an issue with the text being cut off, a hard lesson to learn. For future cards I tried not to put the text so close to the edge.

The Christmas 2016 card is still my favorite to date. I love the simple, yet quirky look. Like my 2015 card, I layered text on top of a picture in Photoshop. For the back, I cropped pictures of all our chickens, dogs, and Cooper to squares and converted them to black and white images. It ended up being the perfect number to fill the space. Our little family grew between 2015 and 2016 from 4 chickens to 11, 2 dogs to 3, while our child count stayed at one. With so many new members of our family to include, it was a bit of a puzzle to work it out. On the right side of the card I included another human only family picture. There was just enough space between the two sections of pictures to include the text.

This year, our family once again grew with the addition of baby girl Kennedy. I love this card mainly because of the amazing Santa picture, thanks to Jeff Roffman. I wanted a picture with Kennedy, Cooper, and Santa on the front, but the picture of Cooper and Santa was too priceless to not include it. I opted to make it the main picture, and added a smaller circle cropped image of sweet Kennedy snoozing with Santa. Needless today, neither child told Santa what they wanted this year. The circle picture and text were both added using Photoshop.

On the back I once again ventured into the world of picture cut outs. I once again used the magnetic lasso tool in Photoshop to remove the background of pictures of all our chickens and pups. I wanted it to look like they were sitting behind Nick, so I layered one version of our family photo in the background, added the animals, then layered another family picture on top, with the background cut out where the animals were placed. I then added a transparent white rectangle on the left and layered text on top.

In addition to Christmas cards, I have also designed my own birthday and shower invitations. I have plans to create a post about all the crafts I did for Cooper’s first birthday. Be on the look out for that in the near future. The bottom image is a shower invitation I designed for my brother and sister-in-law. I created blog posts about a fabric tassel and personalized photo banners I made to decorate for their shower.

Check out my other Christmas crafts below:

Merry Christmas and happy holidays! Thanks for checking out my blog post about my annual Christmas cards. Help me spread the word about Christmas crafts by sharing on your social media site of choice. Thanks for stopping by!

Five years of DIY quirky Christmas cards. These Christmas cards are not your typical perfect, smiling family. Instead, they look to make you laugh through the creative ways the entire family (kids, dogs, chickens, and all) are are put together.

TPT: Semester Long Introduction to Sculpture and Ceramics Curriculum

I am continuing on my journey of compiling my almost 9 years of teaching resources to create my complete high school art curriculum. So far, I have my Introduction to Art, Painting, Advanced 2D or AP Art Breadth, and now my Introduction to Sculpture and Ceramics curriculums complete. This leaves drawing (which I am currently compiling), 3D Design II, Advanced 3D Design, and a yearlong AP Art curriculum. Once I have all the courses covered, I will create one mass bundle pack for my Teachers Pay Teachers store.

I am excited to have my sculpture and ceramics curriculum finally up. I taught the class for 5 years, between two schools and two very different looking art budgets. At my current, fancy private school job I had a large budget for my class. It was an appropriate amount in order to properly teach my students both sculpture and ceramics, which both require a range of expensive materials and equipment. I never felt like I was able to do the course justice it my last school, but I felt I could develop a well rounded curriculum here.

During the semester students are introduced to clay, mixed media, leather, glass fusing, installation art, and tissue paper sculpture through 8 projects. They learn a variety of build techniques with clay, including pinch pots, slab building, coils, and using the pottery wheel. In addition to building with clay, they are also introduced to high, low and raku firing techniques. On the sculpture side of things they learn about installation art, by creating a packaging tape person, mask making, using leather, mold making, using clay and plaster, light sculpture, using tissue paper and reed, and glass fusing.

With all of my projects I like to start with a PowerPoint. I include a piece of art history, artist exemplars, project examples, step by step instructions, and a breakdown of my project expectations and grading. This curriculum pack has a PowerPoint with every project for a total of 13 PowerPoints. I include my PowerPoints on my class blog, that way if students miss a project introduction they can look through the slides themselves.

In addition to having a PowerPoint with every project, I also have a lesson plan, which includes big ideas, objectives, vocabulary, supply list, and step by step instructions. In this curriculum I have a rubric for every major project, checklists for smaller assignments, as well as critique sheets, research worksheets, and how to handouts. I have resources to help guide my students through every assignment.

With this curriculum you will not have to plan a single activity for the semester, it’s already done. I also include my visual journal project pack, which I have my students work on every Friday, which is listed on TPT for $25.00 on it’s own. I also have bonus items: a pottery wheel how to video, semester long timeline, and semester long supply list. All in all this pack includes the following items:
-Semester long timeline
-Supply list
-Syllabus
-Get to Know you handout
-6 student handouts
-4 teacher aid handouts
-11 lesson plans
-13 PowerPoints
-11 rubrics
-8 critique sheets
-1 How To Video

I hope this can help someone get started with a new year of teaching, new class, or just a set of fresh ideas.

Thanks for taking the time to check out my blog! Help me spread the word by sharing with others. Visit my TPT store here.

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Visual Journal Page 22: The Fall & Visual Journal Page 23: Ouch

This visual journal page was created to represent my clumsiness. Not only am I clumsy, but I also bruise easily, which means I am in a constant state of being covered with bumps, scratches, and lovely shades of purples, yellows, and blues. I don’t think I ever quite grew into myself, my limbs still feel like they are longer than they should be.

Specifically, this page is meant to represent a particular incident of clumsiness, a tumble down the stairs. When I move from point a to point b my goal is to move as quickly as possible without breaking into a run. My fast walking combined with my long legs makes it look like I’m always in a rush. The same is applied when I am going up and down stairs. I don’t take them one at a time, carefully watching my step, I generally jog up and jog down. I blame my need for speed on my father who was the type to wait in the car, with the car running, until everyone finally piled in to leave. I always felt rushed, and that has continued into my adult life.

95% of the time my jog up, jog down stair taking is successful. However, the remaining 5% of the time means I miss a step or slip on a step either falling up, or falling down the stairs. On this particular day I hit a step heading down, my foot slipped out from under me, and down I went.

Unfortunately, the slip happened towards the top of the stairs, so I had a long way to go to reach the bottom. It felt like a cartoon, my butt hit the next step, and there was no going back. I literally slide down the stairs until something stopped by downward fall, which happened to be the side table next to my front door.

My next visual journal page represents my husband’s point of view. He was sitting on our sofa, watching TV, minding his own business, when all of the sudden I came tumbling down. All he heard was bam, bam, bam, bam, as my various body parts hit step after step, followed by a final smash as I collided with our red side table. The commotion was followed by back and forth rock of the table as it tried to rebalance after my collision.

I had to lay there for just a minute to allow my brain to catch up to the events and my body to recover. My big toe made contact with the table first, and absorbed the weight that followed behind it. It caused a bruised toe and cracked nail. My right arm made the first, and only, attempt, and fail, to break my fall and stop the ensuing events. That resulted in a big bruise on my forearm. After the tumble and a moment of recovery, I couldn’t help but laugh at myself. I could be so careless and I had no one to blame but myself.

Despite the sequence of events you can still find me jogging up and down stairs and falling 5% of the time.

SUPPLIES

  • Visual Journal
  • Rubber cement
  • Pencil
  • Gesso
  • Paint brush
  • Water
  • Charcoal
  • Charcoal pencil
  • Pastels
  • Red acrylic paint
  • Book Pages
  • Laser printed images of table
  • Packaging tape
  • Scissors
  • Sharpie

HOW TO

To create these two visual journal pages I wanted to create two very different looks. I wanted the actual fall to look dark and more serious. For the aftermath, I wanted it to look as silly as I felt. I started with the fall page and decided early on to shade on top of a gesso base. Since gesso is a wet material, I opted to rip two pages from my book so I could work on them without the risk of the gesso bleeding through to other pages.

I sketched out the design first using pencil. My staircase at home is simple and straight, but I wanted to create a more dramatic effect so I opted to exaggerate the style. I sketched out the twisting staircase, and centered the final set of stairs between the two pages. To the left of the stairs I drew out my right hand and right foot, to show my injuries. Once I had the base sketches ready, I added water to my gesso, to make it more transparent, and filled in the shapes.

Once the gesso dried I began pulling out details using the charcoal pencil. I added purple and brown pastels to create shadows on the stairs and the bruise on my arm and toe. I added black charcoal around the staircase to make it pop. To create a blended look with the charcoal I colored more heavily at the edge of the stairs, then used my finger and a paper towel to blend the charcoal away from the steps and into the background. I continued to build up details with the charcoal pencil and push my shadows with the pastel and black charcoal.

Once I finished shading I painted my toe nails bright red using red acrylic paint. I liked the sudden pop of color and it created a great attention grabber. I used a thin brush and gesso to add the crack in my toenail.

Once the page was finished I sprayed it with fixative, to prevent the charcoal from smudging, and glued it on top of pages still attached in my visual journal book.

For the second page I wanted a more playful look and I wanted to create a sense of movement in the table. I decided to create 5 packaging tape transfers of the same image of my side table, then overlap them to make it look like it was moving. To do this, I printed 5 copies of the table on a laser printer. I taped clear packaging tape to the front of the pictures, then cut out the table. I then ran the cut outs under water until the paper started to separate from the tape. I carefully rubbed the paper off using my fingertips until only the ink from the printed image was left on the tape. I dried it off using paper towels and set them aside.

I decided to use book pages from two different books to create a space for the table to sit in. I used the lighter, wider book pages first and glued them to the center of my visual journal page using rubber cement. I then layered two smaller, darker book pages in the center of the ones I just glued and also glued them down with rubber cement. Next, I placed my table packaging tape image transfers on the right side of the book spread. I used Elmer’s glue to glue them in place, the chemicals in rubber cement will cause the tape to ripple.

Next, I decided to add another thin bar of the light and dark book pages to the top and write “bam, bam, bam” in Sharpie across it. To balance the layout I added one small section of layered book pages to the right page below the table and wrote “ouch” in black Sharpie.

CHALLENGE

Create a visual journal page about an unfortunate accident.

Thanks for taking the time to check out my blog! Help me spread the word about visual journals and art in general by sharing with others. Thanks for stopping by!

Visual Journal Page 21: The Perfect Combination

I have said it many times, I have the sweet tooth of a 7 year old. My sugar palate never seemed to mature to the dark chocolates of my peers, I have always loved the 100% sugar, fruity varieties of candy that are marketed towards children. For many years, Skittles have been my reigning favorite, a fact that my hubby knows well.

Nick will periodically come home after a grocery trip with a share size Skittles bag. When we go see a movie, no questions asked, Skittles are the staple after popcorn. On road trips he will stop for gas, even if we don’t really need it, just to go get me a bag of Skittles.

Over the years, not only has Nick stored my favorite candy somewhere in his brain, he has also noted my favorite color combination: purple and red. I don’t know what it is about purple and red, it is the most perfect flavor combination out there. I don’t seek out purples or reds to eat individually, it is a combo deal, otherwise any color will do. I can’t even refer to them as their flavors, because a skittle flavor is unique to it’s color, and trust me, purple and red is it. As Nick and I snuggle up on the sofa to watch TV or sit in a movie theater, he will pass along Skittles to share. Without fail, if he ends up with a handful that has purples and reds, they come straight to me.

This is not something I ever made a point to tell him I needed. It was never a discussion, argument, or requirement. It was just something he noticed I liked and did for me unprompted. Moments like these define our marriage. It’s not the buying of houses or birthing of children, it’s the fact that I get every purple and red Skittle Nick comes across. The little things matter the most, because the little things add up to better days, weeks, months, years, and a continued growth together, not apart. The little things mean the other person is still paying attention, wants to know more, and do more to make you happy. Not because you are supposed to buy that house or procreate, they do things to make you happy just because they care enough to want to.

It’s scary how well you know me.

SUPPLIES:

  • Visual journal
  • Gesso
  • Paintbrush
  • Water
  • Pencil
  • Watercolor
  • Thin Sharpie
  • White colored pencil
  • Rubber cement

HOW TO

For this visual journal page, I decided to focus on the colors of the red and purple Skittles. I brainstormed different ways of including them, an avalanche of purples and reds, a Skittles package with nothing but purples and reds, but I ended up deciding that it isn’t the quantity that is important, it’s the combination of a single purple and a single red. Once I decided on just two skittles, I opted to draw hands cradling them, as if they were something delicate and special, not something I am about to chew up and digest.

To create the visual journal page, I started by ripping a page from my visual journal book. I did this because I wanted to make the arms and hands stand out against the page and decided to use watered down gesso to do that. Since gesso is liquidy, I didn’t want it to soak through the other pages of my book. I lightly sketched the outline of the arms and hands, then filled them in with gesso. Once dry, I added details and shading with a pencil. Gesso creates a nice, smooth surface to draw on top of.

After I finished my hands, on a separate sheet of paper I drew my skittles and filled them in with watercolor. I didn’t add much water to the pigment so I would end up with a nice, vibrant color. While waiting for the Skittles to dry, I moved onto my paint splatters. I added more water to the watercolor pigment, painted a thick line on a sheet of paper, and blew it at an angle to make the paint splatter. After the skittles and paint splatters dried, I cut them out.

I glued the skittles down first, then added a highlight and the “S” using a white colored pencil. Next, I alternated red and purple splatters around the hands, and glued them down with rubber cement. Last, I used an extra fine Sharpie to add the words on top of the paint splatters.

CHALLENGE

Dedicate a page to your favorite sweet.